Notes

The Four Gentlemen (四君子), also called the Four Noble Ones, in Chinese art refer to four plants: the plum (梅), the orchid (蘭), the bamboo (竹), and the chrysanthemum (菊). The term matches the four plants with junzi, or “gentlemen” in Confucianism.


Pre-Posthumous 6-word Memoiresque in the Key of W

The word mazel literally means “drip from above.” Force de frappe: a force equipped to deal a quick offensive or retaliatory blow.  Puta madre: motherfucker; can be used for emphasis among close friends without giving offense.


Curtain Lecture Reversal

Curtain Lecture: wife’s private reprimand given to a husband; Goatdrunk: gets lascivious; Finifugalist: one who loves to delay endings; Summer Bird: cuckold; Bedswerver: cheating spouse; Fard: to apply facial makeup; Ballyhoo: bird with 4 wings and 2 heads that could whistle through 1 beak & sing out of the other; Gobemouche: one who believes anything; Fugle: to make signals.


About the Author

Roger Weingarten, author of ten collections of poetry & co-editor of seven poetry anthologies, has lectured, taught & read at writers’ conferences, poetry festivals, & universities nationally & internationally. Founder & Senior Professor in the MFA in Writing & the Postgraduate Writers’ Conference at Vermont College from 1980-2008, his awards include a Pushcart Prize, a Louisville Review Poetry Prize, a National Endowment for the Arts Award, & an Ingram Merrill Foundation Award in Literature. His poems, stories, & essays have appeared in The New Yorker, APR, Poetry East, The Stonewall Book of Short Fictions (1973), The Paris Review, & Poetry, among many other journals & anthologies. Ghost Wrestling, a collection, published by David R. Godine, 1997; Ghost Writing: Haunted Tales by Contemporary Writers, Invisible Cities Press, 2000; Poets of the New Century, David R. Godine, 2001; Manthology: Poems on the Male Experience, 2006; Premature Elegy by Firelight, a collection, Longleaf Press, 2007; Open Book: Essays from the Postgraduate Writers’ Conference, with Kate Fetherston, Cambridge Scholars’ Press, 2007, & Stranger at Home: American Poetry with an Accent with Andrey Gritsman, Interpoezia, 2008. You can find his brief lyric essay and poem in Conte 5.2 and his interview with us here.


About the Artist

Kate Fetherston’s first book of poems, Until Nothing More Can Break, was released in 2012. Her poems and essays have appeared in numerous journals including North American Review, Hunger Mountain, and Third Coast. She received an award from the Vermont Council on the Arts, and was twice a finalist for the Pablo Neruda Prize in Poetry. Kate’s paintings have shown in California and Vermont.

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All poetry © 2014 Roger Weingarten. All artwork © 2014 Kate Fetherston. The essay following the poems is © 2014 Marcus Cafagna. Reprinting, copying, or reproducing any of these works in any fashion without the author’s express consent is strictly prohibited.